Thursday 11 October
5.15pm, Chrystal Macmillan Building, Seminar Room 5.
Randall Reinhard (University of Edinburgh): Edward Irving (1792-1834) and the Church of Scotland in London.
Thursday 4 October
5.15pm, Chrystal Macmillan Building, Seminar Room 5.
Professor Dauvit Broun (University of Glasgow): A New Perspective on Year-by-Year Chronicles: The Chronicle of Melrose as an “Active Manuscript”.
Thursday 27 September
5.15pm, Chrystal Macmillan Building, Seminar Room 5.
Professor Alasdair MacDonald (University of Groningen): George Lauder (1603-1670): A Scoto-British-European Poet and Soldier.
Thursday 20 September
5.15pm, Chrystal Macmillan Building, Seminar Room 5.
Professor David McCrone (University of Edinburgh): What’s New about The New Sociology of Scotland?
Wednesday 21 November, 1pm, 50 George Square, G.04:
Richard McLauchlan (Independent Scholar): How German philosophy won the First World War: An Introduction to Viscount Haldane
[German Research Seminars ]
Friday 2 November, 4.30pm, 50 George Square, G.02:
Robert Gillett (QMUL): Racing Back to the Future: Rosmer/Bernstein’s Neo-Classical Tragedies
[German Research Seminars ]
Friday 5 October, 1pm, 50 George Square, G.04:
Julia Feike (Edinburgh): Cultural Learning in Interaction: Researching meaning-making processes in the foreign language classroom
[German Research Seminars ]
The Art of Choral Direction |
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Cole Bendall | Wednesday 29 May 2019 | 7:00pm - 8:30pm | Free Holyrood Campus, University of Edinburgh |
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How conductors influence people and why that influence matters - a short history of choral conducting, introduction to techniques and a short participatory workshop. |
Public Poetry |
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Rachael King | Wednesday 1 May 2019 | 7:00pm - 8:30pm | Free Holyrood Campus, University of Edinburgh |
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How does the poetry that appears the walls of the underground, on Instagram, twitter, and in newspapers help us reflect and make sense of life in the 21st Century? |
Oliver Reed | Wednesday 23 January 2019 | 7:00pm - 8:30pm | Free
Holyrood Campus, University of Edinburgh
Seeing is a complex process that embodies more than just sight. How do you begin to translate an experience into a visual language?