Posted by IASH on December 13, 2010
Smellscapes: The Role of Odour in the Constitution of Selves and Environments
a free evening public lecture by the anthropologist David Howes of Concordia University, Canada.
5.30-7pm, 28 January 2011, at Inspace, University of Edinburgh, Crichton St, Edinburgh.
Abstract:
This presentation introduces the notion of smellscape as a complement to R. Murray Schafer’s concept of the soundscape and an alternative to the conventional Western notion of the “landscape” (which is so pervaded by visual values). Smellscape refers to an environment as apprehended by the period nose (when the approach is historical) or cultured nose (when the approach is anthropological). The presentation goes on to weigh the evidence for and against the thesis of the “Olfactory Decline of the West” and, finding there to have been a decline, asks whether we moderns would be able to support the olfactory values of premodern times being brought back in. Next, the presentation surveys the social life of smells in a range of non-Western cultures and seeks to determine how our own olfactory experience might be enriched through emulating certain exotic practices, such as the Japanese game of kodo. The presentation concludes with a plea for the education (and liberation) of the contemporary nose given the threat posed by the advancing commodification of olfaction.
About the Speaker:
David Howes is Professor of Anthropology at Concordia University, Montreal, and the Director of the Concordia Sensoria Research Team (CONSERT). He holds three degrees in anthropology and two degrees in law. His main fields of research include sensory anthropology, culture and consumption, constitutional studies, and the anthropology of law.
Howes has conducted field research on the cultural life of the senses in the Middle Sepik River region of Papua New Guinea, Northwestern Argentina, and the Southwestern United States. This research has significantly expanded understanding of the varieties of sensory experience. He recently completed an ethnographic analysis of current trends in multisensory marketing, and is presently wrapping up a study of the sensory life of things in the Pitt Rivers Museum, Oxford. He has just embarked on a new media art project in collaboration with colleague Christopher Salter, which involves constructing a chamber that plays with a wide range of sensory phenomena. The sensory programing of the chamber is inspired in part by models of alternative sensory orders derived from the CONSERT archives.
Howes' research in law has focussed on the elaboration of a methodology for resolving cases that are sparked by the increasing mixity and friction of cultures brought on by transnational migration. In place of using culture as a defense, he advocates the development of cross-cultural jurisprudence. He has also conducted an excavation of the cultural underpinnings of the Canadian and U.S. constititions (www.canadianicon.org)
Howes is the editor of The Varieties of Sensory Experience (1991), Cross-Cultural Consumption (1996), and Empire of the Senses (2004); the co-author with Constance Classen and Anthony Synnott of Aroma: The Cultural History of Smell (1994); and, the author of Sensual Relations: Engaging the Senses in Culture and Social Theory (2003). His latest book is The Sixth Sense Reader (2009). He is the Managing Editor of The Senses and Society journal, and a co-convenor of the Sensory Studies website (www.sensorystudies.org)